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The
History of the Pre-Mughal Period:
During Muslim rule in Bengal, many new cities were built and adorned
with palaces, forts, monumental gateways, free-standing victory-towers,
mosques, mausoleums, roads and bridges, the remains of which are
scattered over all the country. The ruins of their early capital
at Gaud and Pandua, which stretch along what was once the high bank
of the Ganges for about 20 miles in unbroken continuity, are now
half-buried in lush vegetation. In its vastness and splendour, the
city ruins are unparalled by any other ancient city site in the
sub-continent. Amongst these picturesque remains, at least three
great cities have been traced. The earliest identified as Lakhnawti
- the capital of the two pre-Muslim dynasties of the Palas and the
Senas - and the later ones, Gaud and Pandua identified as the two
successive capital cities of the pre-Mughal rulers. The city ruins
are now largely located in the present Malda district of West Bengal,
India, but a small portion is located in the Rajshahi District of
Bangladesh.
When the Muslims conquered India, they were already possessed of
a highly developed architecture of their own, which is characterized
by such distinguishing features as the arch, the dome, the minaret
and the mihrab, - features common everywhere in the Islamic world-and
fundamentally based upon the building traditions of Western and
Central Asia. However, wherever they have re-established themselves,
they have become dependent largely upon the locally available building
materials, the craftsmen and the prevailing social and climatic
conditions of the region. These regional factors invariably conditioned
the evolution of regional styles, varying from country to country.
The Muslims revolutionalized architecture in Bengal by introducing
new and improved techniques and certain common architectural features,
generally associated with Islam. However these features were considerably
enriched with regional building tradition. This architecture may
be classified broadly under two main phases: tThe Pre-Mughal and
the Mughal.
The first phase begins with the conquest of Bengal in 1204 and continues
throughout the first three centuries of semi-independent and independent
existence, until 1575, when Bengal was least exposed to cultural
infiltration from the West. At the beginning of the second phase
Bengal was subjugated and made a Province of the Mughal empire for
about two centuries until Muslim rule was terminated in 1757 by
the British. This phase is characterised by the development of a
uniform imperial Mughal style in the Province. In the first phase
the country was initially governed by the Mamluks of Bengal under
the Delhi Sultans and, later, independently by the three famous
houses of the Ilyas Shahi dynasty, the Hussain Shahi dynasty and
the Afghan Karrams.
The Mamluk period was an age for conquest and consolidation of the
newly acquired territories and was characterised in their architecture
by a rough and ready construction, similar to the buildings in and
around Delhi and Ajmeer where the materials as well as many features
of Hindu architecture were being freely appropriated. Buildings
constructed in and around Gaud, Pandua, Devkot, Triveni, Satgaon
and Chhota Pandua, in West Bengal (India) during the initial period,
have all virtually disappeared with the passage of time. Vestiges
of the few surviving monuments are now mostly located in the Hoogly
district of West Bengal (India), consisting of the sepulchre and
mosque of Zafar Khan Ghazi, (1298-1313). the conqueror of the region;
a round tapering victory tower of about l00' high at Chhota Pandua;
and the adjacent Ban Masjid, measuring 231' x 42', which is roofed
over with sixty three squat domes.
Strong regional elements were manifested in the architecture of
the two centuries of isolation under the independent Sultans of
Bengal. These were dictated by the peculiar geography and climate
of the region as well as the readily available and cheap alluvial
clay - an excellent medium for plastic art - which made brickwork
the dominant element in building construction over many centuries.
Occasionally black basalt stone, quarried from the distant Rajmahal
hills in Bihar, was used as a secondary material in places near
the quarry, where transportation of this costlier material was more
easy and economical. The indigenous elements, fostered during the
Sultanate period, are reflected in a luxuriant richness, drawn from
nature, for the decoration on the buildings and the striking curvilinear
roof-form, which has been similarly derived from the common thatched
hut of rural Bengal and the copious monsoon rains have dictated
the adoption of a covered domed-roof rather than an open court.
With the establishment of an independent Sultanate, and the restoration
of comparative peace by the house of Shamsuddin Ilyas Shah in 1342,
the country entered into a period of great building activity. The
son of Ilays Shah, Sultan Sikandar Shah,who ruled between 1358 and
1389, transferred his capital from old Lakhnawti, or Gaud, to a
site about 17 miles north known as Pandua where, in 1364, he laid
the foundation of a stately congregational mosque which became the
focal point in the city. The Adina Mosque, as it is commonly known
today, was the most ambitious monument of black stone ever raised
in eastern India by any Muslim ruler.
In the early 15th Century a definite building style, best described
as the regional Islamic style, emerged. The earliest surviving specimen
of this style is the Eklakhi Mausoleum at Pandua (in India) which
was built over the mortal remains of Sultan Jalaluddin Muhammad
Shah. He was a son of Raja Ganesha who ruled between 1414 and 1431.
The tomb derives its curious name because it is believed that it
cost one Iakh (100,000) of rupees to build. The monument assumes
great importance in the evolution of an architectural style in Bengal
as it establishes, for the first time, a typical Bengali style which
served as a proto-type for most of the subsequent architecture of
the region. Although it is predominantly a brick structure, ornamental
black-stone has been used for relief of monotony. It has four octagonal
corner turrets and its massive walls are richly embellished with
terracotta floral scrolls, whilst its cornice and battlements are
conspicuously curved. The ornamental effect of the mausoleum is
further enhanced by the application of glazed coloured tiles which
were used on this building for the first time in Bengal. Having
embarked on this distinct indigenous style of building, the independent
Sultans continued to follow the design of the Eklakhi Tomb during
the following century, with minor modifications and elaborations
according to their functional needs. The Dakhil Darwaza in India,
which is believed to have been built by Sultan Barbak Shah, in 1465
as a triumphal arch facing the citadel of Gaud, stands apart from
the rest. It is distinguished by its fine brickwork and immense
proportions. The monument is an outstanding landmark of architectural
achievement in Bengal and a remarkable testimony to the skills of
its builder.
Between 1487 and 1493, the few years of Abyssinian Habshi rule,
there were no mentionable cultural progress in the country. Eventually
Sayyed Hussain Shah, an Arab nobleman, succeeded in establishing
a new and enlightened dynasty in 1493. This ushered in another period
of renewed activity in all cultural fields.
The latter period, under Sayyed Hussain Shah, lasted about half
a century. It was indeed a golden era of peace and prosperity, during
which time a large number of splendid monuments were raised throughout
their kingdom. Only a select few of the surviving monuments are
briefly described to give a proper appreciation of the pre-Mughal
evolution of building art in its ripest form. During this period,
styles using brick alone as well as a combination of brick and stone
following the earlier style, continued side by side. At the same
time details of ornamentation reached a greater refinement; brilliant
multi-coloured glazed tiles decorated the buildings, and often the
domes of some important mosques, such as the two Golden Mosques
at Gaud, were gilded with real gold.
[to be continued..]
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